
Specializing in small and large book musicals, Shakespeare and period comedies.
'And with Sunday, Spelbring delivers a knockout highlighted by outstanding design and polished performances. He also does an admirable job of linking the musical’s first and second acts — quite a feat when you consider that the action is separated by 100 years.'
-SUNDAY IN THE PARK WITH GEORGE Nashville Repertory Theatre
Nashville Scene
'Director Jason Spelbring leads a dream-team production staff on Mamma Mia! Spelbring’s direction of the high-energy show is flawless, showcasing both the talents and the exuberance of his mostly young cast'
- MAMMA MIA!, Lyric Repertory Company
UPR
'Movement Director and Choreographer Jason Spelbring ensures that the audience can feel the tension and panic of a tempest-tossed ship's crew, among other things.'
-PERICLES, Utah Shakespeare Festival
Front Row Reviewers
'Director Jason Spelbring pulls all of these elements together. Under his direction, each change in tone, volume, and illumination appears flawlessly executed. This is a master class in storytelling'
- AN ILIAD, Utah Shakespeare Festival
The Independent
'Director Jason Spelbring triumphs by delivering a fast-paced ensemble show that is marvelously staged and performed'
- Baskerville: A Sherlock Holmes Mystery, Lyric Repertory Company
The Herald Journal
Jason Spelbring – Director
As a director, I am excited by the impact of collaboration. I am consistently drawn to projects that ask me to think outside the box; therefore, collaboration is necessary for developing a successful and creative process and product. Collaboration is crucial to the assignment of the creative team, the casting process, and the initial design presentations! The result creates a strong sense of ownership by all involved in the project.
Having studied directing under the late Marita Woodruff at Webster University, Marita instilled in me the value of a director's vision, leadership, and potential for inspiration. Vision. Leadership. Inspiration. Through Marita's masterful teaching, I discovered the power of collaboration. Since 2007, I have collaborated on over twenty fully produced educational and professional productions.
I thrive in taking pre-existing works and putting a new and fresh spin on them while not losing sight of the play's integrity and the playwright's voice. I am drawn to plays and projects that can be reimagined through a creative and personal lens. In addition, I am actively seeking opportunities to be on the ground floor of a new work (play or musical). Plays and musicals with the element of history or class / social structure excite me. I am also drawn to period plays, Centlivre, Marivaux and Behn, Shakespeare, and small and large book musicals.






























































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